Saturday, January 22, 2011
Robert Burns birthdate is January 25.
Burns, known as Rabbie Burns, Scotland's favourite son, the Ploughman Poet, Robden of Solway Firth, the Bard of Ayrshire and in Scotland as simply The Bard, was born in Alloway, Ayrshire, on Jan. 25, 1759.
He grew up in the general atmosphere of dour Scottish Calvinism, but his father's moderate religious views helped instill in Burns a spirit of tolerance and of rebellion against the grimmer doctrines of Calvinism. Although Burns's formal schooling was skimpy, he read avidly and for a time had a good tutor in John Murdoch, who gave him a thorough grounding in the 18th-century genteel tradition of English literature.
Burn's birthplace in Alloway, Ayrshire
The family worked hard on their Ayrshire farm, and the arduousness of his labor in adolescence was to have a crippling effect in the long run on Robert's health. And troubles with landlords and their agents were helping to foster in him the egalitarianism and rebelliousness against privilege which became prominent themes in his poetry. In 1784 his father died in bankruptcy, and the family then moved a few miles away to Mossgiel. Here and in nearby Mauchline the gregarious and attractive Burns embarked on his notorious career as womanizer, which extended to about 1790. (By the end of his short life he was to have fathered fourteen children, nine of them out of wedlock, by six different mothers.)
At Mossgiel, Burns's poetic powers developed spectacularly, and in 1786 he published Poems, Chiefly in the Scottish Dialect at nearby Kilmarnock. At this time Burns was 27, and he had written some of the most effective and biting satires in the language. Among them were "Holy Willie's Prayer" (a dramatic monologue which exposes the hypocrisy of a Calvinist pharisee) and "The Holy Fair" (a cynically humorous description of the Scottish equivalent of a religious camp meeting).
Other important poems which appeared in his first volume were "Address to the Unco Guid" (a moving appeal to the rigidly upright to show tolerance for the fallen); "The Jolly Beggars" (a dramatic poem celebrating ragged havenots and ending with one of the most exhilarating paeans to anarchism in any language); the masterful "Address to the Deil" (that is, to the Devil); "The Cotter's Saturday Night" (an idealization of rural Scottish virtues); the sentimental but moving "Auld Farmer's Salutation to His Mare"; and the poignant "To a Mouse" (a poem that treats the human condition through presenting a field mouse unearthed by the plow). These and other typical poems by Burns are almost unparalleled in their combination of direct colloquialism and profundity of feeling or shrewd satirical characterization. Not for centuries had such fine poetry been written in the Scots tongue, poetry of feeling that exhibited great metrical virtuosity.
But 1786 was also a year of great distress for Burns. His liaison with Jean Armour, a Mauchline girl, had resulted in the birth of twins, and the two unwed parents were exposed to public penance. In addition, Burns was in love with Mary Campbell, the "Highland Mary" of his lyric, but she died in 1786, apparently in giving birth to his child. He contemplated emigrating to Jamaica, but he abandoned the plan and spent the winter in Edinburgh, where he was lionized. Early in 1787 a new edition of his poems was published which made him famous not only throughout Scotland but also in England and internationally.
After a summer and fall spent in touring Scotland (the only real traveling he ever did), and incidentally in a renewal of his affair with Jean, Burns spent a second winter in Edinburgh. The limelight had begun to dim, but the sojourn was highlighted by the tragicomic love episode with Mrs. M'Lehose, the "Clarinda" of the "Sylvander-Clarinda" letters. This episode ended in March 1788 with Burns's decision to return to Mauchline and marry Jean, who had borne him a second set of twins.
After his marriage Burns turned his efforts to supporting his family. In 1788 he leased a farm at Ellisland, 45 miles from Mauchline. After frustrating delays in house building and an equally frustrating few years trying to wring an income from reluctant farmland, he moved with Jean and the children to Dumfries. In 1789 he had begun duties as a tax inspector, a profession in which he continued until his death.
The memorial to the Scottish poet Robert Burns, a tribute to Montréal's Scottish industrialists and financiers, represents the socially-conscious and refined romantic ideal of the community during the High Victorian Era. The memorial by G. A. Lawson stands at the western entrance of Square Dorchester. Burns looks out towards the infinite expanse of Western Canada, opened up by the rail and finance managed by the elites of the community.
At Ellisland, Burns had little leisure, but it was there that he wrote his masterpiece of comic humor "Tam o'Shanter," his one outstanding piece of narrative verse. He also wrote numerous songs (some of them original lyrics for old tunes, some refurbishings of old lyrics) for The Scots Musical Museum, an anthology of Scottish songs with which he had been associated since 1787.
From 1792 until his death he also collaborated on a similar work, A Select Collection of Original Scottish Airs. Most of Burns's poetic effort in the Ellisland and Dumfries periods was in this area of song writing and song editing (he had written songs earlier but had usually not published them), and his achievement was spectacular. Among the lyrics, early and late, that he composed or reworked are "Mary Morison," "Highland Mary," "Duncan Gray," "Green Grow the Rashes, O," "Auld Lang Syne," "John Anderson, My Jo," "Scots Wha Hae Wi' Wallace Bled," "A Man's a Man for A' That," "A Red, Red Rose," and "Ye Banks and Braes o' Bonie Doon." These are true song lyrics; that is, they are not poems meant to be set to music but rather are poems written to melodies that define the rhythm.
Burns's years in Dumfries were years of hard work and hardship but not (as some legends began to insist) of ostracism and moral decline. He was respected by his fellow townsmen and his colleagues.
Robert Burns Mausoleum at St. Michael's churchyard in Dumfries.
His health, always precarious, began to fail, and he died of heart disease on July 21, 1796. As if in witness to his vitality, his wife gave birth to their last child on the day of the funeral.
MY BONNIE MARY
by: Robert Burns (1759-1796)
O fetch to me a pint o' wine,
An' fill it in a silver tassie,
That I may drink, before I go,
A service to my bonnie lassie.
The boat rocks at the pier o' Leith,
Fu' loud the wind blaws frae the ferry,
The ship rides by the Berwick-law,
And I maun leave my bonnie Mary.
The trumpets sound, the banners fly,
The glittering spears are rankèd ready;
The shouts o' war are heard afar,
The battle closes thick and bloody;
But it's no the roar o' sea or shore
Wad mak me langer wish to tarry;
Nor shout o' war that's heard afar--
It's leaving thee, my bonnie Mary!
Posted by Tom at Saturday, January 22, 2011